2nd century

In the 2nd century CE, the region of Kolhapur continued to be part of the Satavahana Empire, a powerful dynasty ruling much of the Deccan. Though Kolhapur had not yet developed into a major city, it was actively involved in broader regional dynamics.

?️ Key Events and Developments in Kolhapur During the 2nd Century CE:

1. Rule of Vashishtiputra Pulumavi (c. 130–159 CE)

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  He was one of the most prominent Satavahana rulers of the 2nd century.

  
  


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  Likely had viceroys or local governors overseeing frontier regions like Kolhapur.

  
  


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  Strengthened administration, infrastructure, and trade across the Deccan.

  
  

2. Buddhist Influence Continues

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  Buddhism flourished in western Maharashtra under Satavahana patronage.

  
  


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  Nearby areas saw the expansion of Buddhist rock-cut cave complexes (like in Karla and Nashik).

  
  


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  While Kolhapur has no 2nd-century caves identified yet, the cultural influence was certainly present.

  
  

3. Trade and Economic Growth

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  Kolhapur’s location near inland and western coastal trade routes contributed to its economic activity.

  
  


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  Local trade in agricultural goods, textiles, and metals supported village economies.

  
  


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  The Indo-Roman trade started to decline, but internal Indian trade networks remained strong.

  
  

4. Agricultural Expansion

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  The fertile lands and monsoon-fed rivers around Kolhapur supported rice, sugarcane, and millet cultivation.

  
  


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  Water tanks and basic irrigation systems were possibly in use in rural areas.

  
  

5. Satavahana Decline Begins

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  After Pulumavi and Yajna Sri Satakarni (late 2nd century CE), the empire began to weaken.

  
  


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  Western Kshatrapas (Shakas) started reclaiming some western territories.

  
  


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  Kolhapur may have experienced instability or shifts in local control near the end of the century.

  
  

6. Cultural Syncretism

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  A blend of Buddhist, Vedic, and local tribal traditions shaped the cultural life.

  
  


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  Art and sculpture from nearby regions suggest the use of stone carvings, inscriptions, and religious motifs common in Satavahana art.